Real-world workflows

Media use cases

The same source may need a preservation copy, a stream-preserving remux, and a smaller access copy. These pages explain why different formats make sense for different jobs.

Foundational

Preservation master vs access copy

Why keeping a source-preserving master and a smaller everyday copy is not contradictory.

Audio CD

Audio CD to WAV/CUE

Preserve CD-DA PCM together with track boundaries, gaps and disc layout information.

SACD

SACD as a disc image

Why an SACD ISO is useful when the goal is to preserve the authored high-resolution disc structure.

HDCD

Preserving HDCD

Why the original undecoded 16-bit PCM matters, and where WAV/CUE and lossless FLAC fit.

DTS-CD

DTS-CD to FLAC

A useful example of losslessly preserving an encoded bitstream carried inside CD-style PCM samples.

Video discs

Full-disc ISO vs MKV remux

Preserve the authored disc object, or preserve selected original audio/video streams without re-encoding.

Music library

Lossless master + portable copy

Keep one archival source and derive MP3, AAC or Opus copies for everyday devices.

Portable video

Why MP4 + H.264/AAC travels well

A compatibility-first combination that still makes sense when playback breadth matters more than exotic features.

What audio files can iPhone play without iTunes?

Practical playback guidance and format choices.

Audio file formats vs Bluetooth codecs

Practical playback guidance and format choices.

Audio quality for everyday listening: what should you change?

Practical playback guidance and format choices.

Can your CD, DVD or Blu-ray player play SACD?

Practical playback guidance and format choices.

How to play DXD audio files

Practical playback guidance and format choices.